Promiscuous plagiarism

Attitudes towards plagiarism have not always been the same. But this story about a signed letter from Rudyard Kipling admitting promiscuous plagiarism kind of made my day.

“I am afraid that all that code in its outlines has been manufactured to meet ‘the necessities of the case’: though a little of it is bodily taken from (Southern) Esquimaux rules for the division of spoils.

“In fact, it is extremely possible that I have helped myself promiscuously but at present cannot remember from whose stories I have stolen.

“Very sincerely, Rudyard Kipling.”

The choice of words is also very interesting promiscuously and stolen. Kipling seems to realize the importance of his actions but admits them freely in this letter.

Why government shouldn’t have a sense of humor

You’ve heard it before… social media is a cocktail party. You have to be interesting and interact. Lurk at a cocktail party and you will get bored. Even worse your friends will get bored of you and not invite you again. So get stuck in there.

The problem is that this is a metaphor… Being funny at a cocktail might be ok. Being amusing on social media? Not always. Not for the first time I put forward this view at a discussion between politicians and social media scholars in Borås.

Here I argued that tone of voice is important and government bodies should be wary of social media. In particular I used examples of the police in a Swedish town creating and using their own Gangnam Style parody. I tried to explain that this was problematic in relation to copyright law, use of government property and the way in which the police are to be perceived.

Not everyone agreed. They argued funny was good for government and that parodying popular memes could only create a popular buzz. We agreed to disagree. So today, not without a touch of schadenfreude, I read this on Torrentfreak:

Four mayors in Denmark now know what it’s like to become a target of an international recording label out for blood over copyright. The controversy stems from the publication of a YouTube video featuring the officials dancing to Gangnam Style. Universal Music, the company holding the copyright to the original track, have warned the mayors that unless they pay $42,000 by tomorrow, a copyright infringement battle will follow.

Supposing they “chose” to pay rather than going to court my question is who should pay? Should the Danish taxpayer be forced to pay for the mayors’ lack of judgement? Or is it a personal liability? Shouldn’t the mayors been doing something better with their time that attempting to follow the tail end of a dying meme?

So the next time someone questions my ideas about the importance that government bodies not have a sense of humor I shall ask if they can afford their own amusement.

Making attribution work

One of the problems with using as many Creative Commons licensed images as I do is creating and maintaining a system so that I am able to attribute the right picture to the right creator in the right way.

This is why I’m excited about the project Commons Machinery that promises to make my life much easier.

Commons Machinery is building infrastructure in support of the Commons. Our aim is to make the use of digital works as easy as possible by developing new technology built on open standards for licensing, attribution and provenance.

So support Commons Machinery and make attribution (and life) easier.

Social Media for Coping with Grieving and Bereavement

My colleague Ylva and I are hoping to organize a panel at IR14 in Denver http://ir14.aoir.org on the use of social media for coping with grieving and bereavement.

If you are interested in participating please send us your short paper. In order to put together the panel application we need your submission by 1 March, please email your work to us. We will then put together the panel and submit everything to the final deadline by 14 March.

Here are the instructions
SHORT PAPERS (individual or multi-author) – Minimum 1000 words, 1200 word maximum not including bibliography. Papers should include:
- Description/summary of the work’s intellectual merit with respect to its findings, its relation to extant research and its broader impacts.
- A description of the methodological approach or the theoretical underpinnings informing the research inquiry.
- Conclusions or discussion of findings.
- Bibliography of work cited.
- Submissions must adhere to the template for the conference. http://ir14.aoir.org/wp-content/uploads/2012/11/SPIR2013_template.doc

Online instructions http://ir14.aoir.org/cfp/

We are also interested in gathering or joining a larger international network in this topic in order to carry out cross-cultural comparisons.

Ylva Hård af Segerstad
hardy@chalmers.se

Mathias Klang
klangm@chalmers.se

Slut Shaming: Notes from a panel

My university has decided that it must act more quickly to join into a larger social debate on current events and to this end they arranged an open event on cyber bullying. The topic was well chosen as in December Göteborg experienced “slut shaming riots” when groups of youths attempted to catch and punish the person they thought was behind a local slut shaming account on Instagram.

The event was in the form of a panel with psychology professor Ann Frisén, police commissioner and chief of the youth section Birgitta Dellenhed, and myself. The university vice chancellor Helena Lindholm Schulz moderated the panel and three thoughtful and perceptive school teenagers were given the role of questioning the panelists before the audience were given time for questions.

The event was held in the old university main hall and was very well attended.

Professor Frisén opened with a presentation of what the concept of cyber bullying was and presented the findings from her research. Her worked confirmed that many children and young people experienced cyber bullying. I was next and then the presenters session was completed by commissioner Dellenhed explaining how the youth section worked and the basics of the recent slut shaming riots.

My role was to talk was on the technological side of the problem. As the reason for the panel was the result of slut shaming I focused my talk on technology’s role in slut shaming. I began with a restatement technology as neutral by using the well know “Guns don’t kill people”. In this perspective I explained that technology is not misogynistic per se but it is important not to forget that the technology is embedded with the values of the creators and adapted by the users.

I used a timeline of the last decades social media innovations to show that we have in a particularly short time evolved a whole new communications infrastructure. This infrastructure has enabled us to do things which we previously could not. This enabling has created new behaviors that may previously been unacceptable.

The ability to do new (and maybe unacceptable) things through technology means that it is our use that brings into question the rightness or wrongness of the situation. Users need social cues and guidance to know the ethics of their actions. Carrying on in technology at time minimizes the ethical social cues and makes behavior online morally complex.

As the whole event was focused on slut shaming and the riots there was a call for order and justice underlying everything that was being said. So I tried to bring back some balance by pointing out that the value of freedom and freedom of expression is important to our lives and societies. Yes I raised a warning finger against moral panic.

What is freedom of expression? Without the freedom to offend, it ceases to exist.
Salman Rushdie

The questions from the students were very interesting and deep. They reflected a need for both space and security. The complexity of this paradox (surveillance and control) was not lost on them. The questions from the floor were mostly good but towards the end was a gruff man demanding more surveillance, law and order. If we know who did it why don’t we prosecute and punish? His comments were applauded which made me think that some of the finer points were lost on the crowd.

The police explained that they do not ignore prosecutions but finding the guilty is not easy. She also pointed out that the person behind the account is also a victim (in some ways). I tried to argue that to catch the guilty in the way he was proposing would entail surveillance of all the innocent and was not compatible to a free and open society. But he denied that he was talking surveillance.

Most of the questions carried the discussion along nicely and the whole event seemed to be enjoyed by all.

The panel and the venue

Slut Shaming, misogyny and technology

This evening I shall be participating in a panel on slut shaming. The university has been quick to organize this panel in response to the slut shaming riots in December. The panel has the Swedish title NÄTMOBBNING – vad är det och vilken roll spelar den nya tekniken? which places the focus on two things (1) what is cyberbullying (2) what role does the new technology play.

Obviously the technology is vital. You just can’t have cyberbullying without the cyber. But there is an interesting undertone to the second question and my role will be to try to strike a balance between explaining why the technology does create or aggravate human behavior at the same time ensuring that the technology itself is not a problem.

Misogyny is not created by technology. BUT… the social norm systems embedded in the technology and the technology users MAY create misogynistic socio-technical systems. Therefore it would be strange not to place some of the (moral) social responsibility on systems developers.

Guns don’t kill people. But gun designers develop superior killing machines and placed in the hands of people with intent they become much more efficient at killing people than a bag of soft toys. (Gotta love an odd metaphor…)

So that’s the plan. Please drop in, if you happen to be in the neighborhood. It’s at 6pm in the university aula at Vasaparken.

European CC Affiliates Celebrate #cc10 with a Mixtape of Inspiring CC-Licensed Music

This is taken from the Creative Commons blog. It was definitely worth sharing in full so here it is:

Guest blog post by Teresa Nobre, Legal Project Lead at Creative Commons Portugal

One of the opportunities for Creative Commons to continue its rapid evolution is more collaboration between the various affiliates. In September, representatives of CC’s affiliates in 17 different European countries attended a regional meeting and discussed, among other things, Creative Commons’ 10th birthday. Most of the affiliates were already planning activities and events in their own countries; nevertheless, we felt that it was important to find a way to celebrate this important date as a regional network. Since the majority of the affiliates are volunteers, we cannot commit ourselves to carry out as many common actions as we would like. With other priorities in both the national and regional agendas, this activity could not require much planning and execution. The idea of creating a mixtape with Creative Commons–licensed music from around Europe – where each affiliate just had to suggest one or two tracks from her own country – seemed, therefore, a good option and got the general agreement of all those present at the meeting.

Back to our home countries, we relied on the network mailing list to get everyone involved. We did not nominate an official project lead and we did not establish any requirements other than the music being the affiliate’s preferred CC-licensed music. We could have decided to use the mixtape to promote just music licensed with one of CC’s free culture licenses (CC BY and CC BY-SA), but we wanted to get as many affiliates involved as possible and we knew that adding such limitation would only make searching for work more difficult. After all, only a very few of us work in the music industry (the others are lawyers, open content advisors, entrepreneurs, academic researchers, engineers, etc.) and not all of us are familiar with our national CC-licensed music.

Some affiliates went on asking for suggestions to their local communities and some even did contests to find their national CC-licensed music that would make into the compilation. Not all the European affiliates were able to get involved in the project, but those involved were really motivated and even found time to send contributions in respect to other European countries. In total, 16 affiliates worked together, devoting much more time than they initially thought they had available, to make this mixtape happen.

The resulting mixtape showcases the talent of 20 artists from 20 European countries: Belgium, Bosnia and Herzegovina, Bulgaria, Czech Republic, Denmark, France, Germany, Greece, Iceland, Israel, Netherlands, Poland, Portugal, Serbia, Slovakia, Slovenia, Spain, Sweden, Switzerland, and the UK. The tracks are from genres as diverse as electronic, folk, classic, drum & bass, rock, ska and tango, and they sound awesome together (despite the fact that they were compiled by a non-musician lawyer!). Give it a listen! It is available for download under various Creative Commons licenses at Free Music Archive, SoundCloud, and the Internet Archive. The album artwork is licensed under a Creative Commons Attribution license.

CC10 Musicians: Celebrating 10 years of Commons

The great people at CC Korea have now launched the “CC10Musicians” iPhone app (It’s available for download on iTunes itun.es/kr/N9ibJ.i)
The App provides free access to free Creative Commons music. I can only agree with CC Korea
Please download, enjoy, and spread it to as many people around you as possible to let them have a chance to discover the coolest musicians from CC music scene!
The App is launched to coincide with Creative Commons 10 year celebrations – it’s also a very cool way to find and get acquainted with artists who spread their material under Creative Commons licenses.
Congratulations CC Korea! Thanks for this App!